12/8/2022 0 Comments Scantango video‘The Russian’s Machine,‘ by Spain’s Octavio Guerra does something similar to Harris’ work, as he uses his new video camera to capture images that will tie him back to his childhood. The film’s rich artistry - in collage form and original music - is a definitive examination of how an artists renders a place that she long had held in her imagination. Her mother, who is Jewish, had fled Europe to Auckland. Miriam Harris’ piece ‘ Warsaw, January 2011,’ made in conjunction with Juliet Palmer, pays tribute to her mother’s birthplace in an exquisitely poetic work of animation. One of the most harrowing scenes captures what it would feel like if one was drowning. The film explores fears in an abstract yet quickly approachable fashion. The screening opens with one of the festival’s strongest entries in ‘Voice Over,’ by Martín Rosete, a young rapidly rising cinematic director from Spain, who has woven three scenarios of life-and-death narratives into a compact, dramatic short film. These films, representing our propensity to confront our innermost fears, passions, turmoil and potential either with honest courage or illusory hesitation, traverse as many multicultural boundaries as they do our most intimate ones. Your Boundaries (June 27, 2 p.m, June 29, 6 p.m.) For the 12th annual Fear No Film portion of the Utah Arts Festival, curator Topher Horman has crafted seven sequences of presentations in the most imaginative interpretations of the various sources and origins of stories.
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